Margaret A. Cargill Philanthropies

Founded by a visionary ahead of her time, the organization was ready for a bold visual identity that fully expressed its clarity, confidence, and purpose.

Service

Capabilities

Background

Founded by the late Margaret A. Cargill, MACP partners with organizations to make a lasting difference for individuals and communities, with particular attention to overlooked causes. Based in Eden Prairie, Minnesota, just outside Minneapolis, MACP’s grantmaking spans seven primary domains—environment, disaster relief & recovery, arts & culture, animal welfare, legacy & opportunity, quality of life, and teachers & students. Since its inception in 1995, the philanthropy has contributed over $3 billion in cumulative grantmaking both across the globe and closer to home in the Upper Midwest Region.

The challenge

As with many organizations in this space, what the team knew to be true about the unique spirit of the organization was not captured in the visual identity, which the organization had outgrown in the years since its founding.

Abstract illustration featuring overlapping blue and teal waves, with a pattern resembling stylized diamonds and arrows in the teal section, creating a textured and layered effect.

The opportunity

Building on a logo and color palette that represented the essence of the founder herself, we had the opportunity to extend the visual language to bring unique and distinguishing qualities of the philanthropy to the forefront: a commitment to funding overlooked issues, a passion for building deep and lasting relationships with grantees, and a team culture that centered creativity and love for traditional arts.

Refining the logo

Hyperakt took the original logo, designed to reflect Margaret Cargill's character and life, and subtly modified elements to increase its scalability and legibility. We standardized the weight and rounding of the woven shapes within the icon, as well as the negative spaces between them.

Keeping the logo typography intact, we increased the width of the “philanthropies” byline, improving its readability at smaller scales.

Colors rooted in Margaret

We took the original palette, inspired by Margaret Cargill's favorite colors, and expanded it to include additional hues and tints. The comprehensive color system was designed to allow neighboring hues and tints to be layered next to/on top of one another—mirroring the subtle color gradations found in weaving and atmospheric landscapes.

An exciting new medium for storytelling

Margaret Cargill was both an artist and an art lover. She amassed a vast collection of stained glass, tapestries, and totems, which are now housed in the MACP offices, and these artifacts served as the inspiration for the extended visual language.

The brand idea

The extended visual language was built on the idea of layers, a metaphor that represents the compounding impact of MACP’s partnerships with grantees. Layers represent depth, the passage of time, and steadfastness—all qualities that are central to philanthropy’s work and approach.

A woman smiling outdoors, wearing traditional ornate attire with beads and patterns. The text reads "Capturing Lakota and Dakota dress-making culture," under the banner of Margaret A. Cargill Philanthropies.

A person stands in a boat using a pole to navigate through water filled with lily pads, under a clear sky. Text below reads, "Protecting landscapes that connect wildlife and communities.

A happy group of young people in casual clothing are sitting in a venue. The text above them reads, "Scholarships of hope for north Minneapolis graduates.

Six presentation slides detail environmental updates and efforts on tropical forests and coastal ecosystems. They feature photographs of a lush forest, a person working in a wetland, and colorful boats docked by the shore.

Hand-painted textures and patterns

Hyperakt painted a series of six patterns to be used as ornamentation within the vertical layers of the design system. Each pattern was inspired by a material or object found within the MACP office grounds. The design and quality of the patterns are intended to reflect the handmade sensibility of many of the artworks found within Margaret Cargill’s collection.

A field of beige prairie grass sways in the wind. Below, a stylized brown illustration of similar grass on a black background is displayed.

Close-up of a multicolored fabric with long fringes in shades of brown, red, orange, and yellow hanging down. Below, an abstract pattern with wavy red lines on black. The word "Fringe" is partially visible at the bottom.

A close-up of a colorful tapestry featuring geometric shapes in shades of green, blue, and orange. Below it, a transparent overlay shows a black and purple pattern, adding a modern contrast to the traditional design.

A view from below of a modern, geometric ceiling with a glass skylight framed in white. Underneath, a digital overlay of a purple and black abstract pattern, resembling a woven texture.

Close-up of a stained glass design featuring colorful abstract patterns with yellow and blue fragments, accented by clear decorative pieces. Below is a dark blue stylized outline of a similar pattern.

A water surface with gentle ripples is depicted. The top half shows a photographic view, while the bottom half transitions into an artistic pattern resembling the ripples in varying shades of blue and black.

A structured, organic design system

Hyperakt designed a simple and scalable grid system comprised of vertical bands that would dictate the placement and height of the patterned and textured layers.