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Margaret A. Cargill Philanthropies

Founded by a visionary ahead of her time, the organization was ready for a bold visual identity that fully expressed its clarity, confidence, and purpose.

Background

Founded by the late Margaret A. Cargill, MACP partners with organizations to make a lasting difference for individuals and communities, with particular attention to overlooked causes. Based in Eden Prairie, Minnesota, just outside Minneapolis, MACP’s grantmaking spans seven primary domains—environment, disaster relief & recovery, arts & culture, animal welfare, legacy & opportunity, quality of life, and teachers & students. Since its inception in 1995, the philanthropy has contributed over $3 billion in cumulative grantmaking both across the globe and closer to home in the Upper Midwest Region.

The challenge

As with many organizations in this space, what the team knew to be true about the unique spirit of the organization was not captured in the visual identity, which the organization had outgrown in the years since its founding.

The opportunity

Building on a logo and color palette that represented the essence of the founder herself, we had the opportunity to extend the visual language to bring unique and distinguishing qualities of the philanthropy to the forefront: a commitment to funding overlooked issues, a passion for building deep and lasting relationships with grantees, and a team culture that centered creativity and love for traditional arts.

Refining the logo

Hyperakt took the original logo, designed to reflect Margaret Cargill's character and life, and subtly modified elements to increase its scalability and legibility. We standardized the weight and rounding of the woven shapes within the icon, as well as the negative spaces between them.

Keeping the logo typography intact, we increased the width of the “philanthropies” byline, improving its readability at smaller scales.

Colors rooted in Margaret

We took the original palette, inspired by Margaret Cargill's favorite colors, and expanded it to include additional hues and tints. The comprehensive color system was designed to allow neighboring hues and tints to be layered next to/on top of one another—mirroring the subtle color gradations found in weaving and atmospheric landscapes.

An exciting new medium for storytelling

Margaret Cargill was both an artist and an art lover. She amassed a vast collection of stained glass, tapestries, and totems, which are now housed in the MACP offices, and these artifacts served as the inspiration for the extended visual language.

The brand idea

The extended visual language was built on the idea of layers, a metaphor that represents the compounding impact of MACP’s partnerships with grantees. Layers represent depth, the passage of time, and steadfastness—all qualities that are central to philanthropy’s work and approach.

A woman wearing traditional beaded jewelry and a dress adorned with ornaments smiles while sitting outdoors. The text reads, "Capturing Lakota and Dakota dress-making culture.
A person stands on a small boat, paddling through calm waters covered with lily pads under a clear sky. Below, a text reads: “Protecting landscapes that connect wildlife and communities” on a purple background.
A group of smiling young people are seated closely, with one wearing a blue hoodie and another in glasses. The overlay text reads, "Scholarships of hope for north Minneapolis graduates.
A collage of six images featuring report covers and pages. Themes include tropical forests, coastal environments, and ecosystem health. One cover displays the Margaret A. Cargill Philanthropies logo, and there are various landscapes and textual elements.

Hand-painted textures and patterns

Hyperakt painted a series of six patterns to be used as ornamentation within the vertical layers of the design system. Each pattern was inspired by a material or object found within the MACP office grounds. The design and quality of the patterns are intended to reflect the handmade sensibility of many of the artworks found within Margaret Cargill’s collection.

Close-up of tall, dry prairie grass in the top half and an abstract brown grass illustration on a black background in the bottom half. Text reads "Prairie Grass.
A close-up of a multicolored woven textile with hanging fringe in shades of brown, orange, and yellow. Below is a red and black abstract pattern resembling wavy vertical lines or streaks.
A tapestry with an intricate pattern featuring geometric shapes and earthy tones is overlaid with a purple abstract design composed of repeating feather-like motifs against a black background.
A modern architectural interior showing a slanted part of a white wall and a large skylight with a grid design. Below is a purple background with a black, irregular linear pattern.
Close-up of a stained glass panel featuring a butterfly wing design. The top section displays vibrant hues of yellow, blue, and clear glass with decorative glass beads. The bottom section is a pattern of blue abstract shapes outlined in black.
A serene water surface with gentle ripples near the top transitions into an artistic pattern of blue and black wavy lines below.

A structured, organic design system

Hyperakt designed a simple and scalable grid system comprised of vertical bands that would dictate the placement and height of the patterned and textured layers.

A blank sheet of lined notebook paper with vertical and horizontal lines forming a grid pattern. The paper has a light background and evenly spaced horizontal blue lines with two vertical margins marked in red.
A grayscale grid pattern with horizontal and vertical lines creating rectangular cells. Waves of varying shades of gray appear at the bottom, forming a layered effect, with a dark gray border on top labeled "1 vertical band.
Purple and teal background with text: "We are Hiring. Program Officer. Disaster Relief and Recovery.

Workhorse templates

We designed a series of Powerpoint and print templates to be used by MACP for the internal and external communications.

Two colorful mugs with the "Margaret A. Cargill Philanthropies" logo. One mug is turquoise and blue, while the other is purple and pink. Both have multicolored rims and are positioned in a dynamic arrangement.

Margaret red

Margaret's favorite color, red, was reserved for use on materials related to her life and legacy.

Project Credits

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