Meaningful Design for the Common Good

Behind the Scenes: The Process of Designing the NAACP’s Annual Report

I’ve noticed that we often see only finished design pieces in design portfolios. It makes sense that we want to present our work to the world in its most polished and finished state, but I’m always curious about all the stuff that goes on throughout the design process. We just recently got the annual reports we designed for the NAACP back from the printers and have put up some glamour shots in our portfolio, but we thought it would be fun to also show how the piece evolved from our first presentation to the client. Here’s a little behind the scenes look at the various concepts presented.

We began exploring concepts for NAACP’s annual report in late summer of 2009. It was originally intended to be the centennial annual report, so we focused all our initial concepts on paying tribute to the history of the organization. Our initial cover sketches reflected historical events as well as their roots in activism. The first direction involves a transparent overlay cover with bright yellow printing of the title. Through the title you’ll be able to see photographs of important historical events the NAACP has been a part of.

This second direction explored the organization’s history through numbers. The persistence of the organization’s efforts would be highlighted by the amount of time it took to accomplish significant milestones. In the center of the cover, we featured “100 Years Fighting for Social Justice.” This title would actually be printed on the first inside page and revealed on the cover through a die cut square. The inside first spread contained a mission statement message.

NAACP Second Concept

This third direction paid homage to the boldness and clarity of activist posters of the past.

NAACP Third Concept

After some back and forth we developed a fourth solution, which combined some elements from a few of the concepts presented in the first round. The client liked the idea of incorporating important photos on the cover with a translucent overlay. On the overlay there would be numbers that correspond to the photo below. The concept was to show the richness of their history and their accomplishments through these numbers.

The concept was broadly liked by the client, but a last-minute decision was made to refocus the annual report to reflect accomplishments for 2008 rather than 2009, which meant we had to go back to the drawing board at a very late stage in the process. Our next iteration kept the look and feel of the previous sketch but brought in the new theme of “Power, Justice, Freedom, Vote.” This ended up being the winning solution.

Check out our more images of the completed piece here.

The annual report was printed by Recycled Paper Printing in New Hampshire. We used Cougar 80lb. cover and 80lb text. It was printed as CMYK with a spot color of PMS cool gray 10. The transparent cover is 48lb clearfold, printed with two hits of white, two hits of yellow and process black. Typefaces used are Modern 20, Century Expanded and Knockout. The final piece is saddle stitched. Here it is on press, where we watched over it like worried parents witnessing their baby’s birth:

NAACP Annual Report on Press

NAACP Annual Report on Press

NAACP Annual Report on Press

NAACP Annual Report on Press

Jason Lynch
Mar 10, 2010 |

The First Tron Legacy Teaser Trailer is Here

TRON Legacy trailer from Fred // Plan9 Entertainment on Vimeo.

Deroy Peraza
Mar 09, 2010 | ,

Logorama Rocks

Some of you might have noticed that Logorama won the animated short Oscar last Sunday.
Directed by H5, a French team responsible for Massive Attack, Röyksopp and Goldfrapp videos to name a few, have created a brilliant not-not-so-subtle statement on consumer culture. Check out the trailer.

Deroy Peraza

Maps and Charts for Info Junkies

I’ve always loved maps and charts and their potential for contextualizing data, whether its historical, statistical or recreational. As a kid I would spend hours looking at maps of human migration patterns and charts listing the populations of the world’s largest cities. I could study them for hours and revel in all the relationships I could form from all the data. The systematic complexity of them was mesmerizing. It was my way of traveling the world and exploring before I could actually travel in the real world. I’m now well aware that many designers share the same obsessive compulsive tendencies in the presence of maps. After all, layering complex information in an attractive, easy to read information graphic is one of the trickiest puzzles for designers to solve. In this age of readily available data and rapidly advancing interactivity those old textbook atlases look like child’s play compared to what something like Google Earth can do.

New ways of layering data are being devised every day for a spectrum of different uses. Recently, I wrote a piece on the 1924 New York City aerial photography map courtesy of NYC.gov, a fascinating way to explore how the city has changed in some ways and hasn’t changed much in others. Over the last few weeks I’ve encountered several other sites that feature maps and charts that are bursting with volumes of interesting information, all describing the behavior of our society in their own way. Any of these could easily consume hours of your day if you start digging, so I’ve provided a brief description and some observations for each so you can pick your poison. The one general observation I’ll make about them is that there is an overarching tendency to pile on as much information as is readily available in several of these maps and charts, often making for overwhelming user experiences. While the pieces all serve very different purposes, I would maintain that transcending information graphics are those that manage to simplify complex granular data and stimulate big picture observations.

Feel free to post links to other great examples in your comments.


Title: A Peek Into Netflix Queues (NY Times)

Description: Rental activity of Netflix’s top movies is displayed on a zipcode heatmap in 12 US cities.

What you can learn: Demographic distribution of cities becomes apparent through rental patterns. Indie and critically acclaimed movies are watched by viewers in the wealthier zip codes, action movies are preferred in working class neighborhoods. A few movies, like Benjamin Button, manage to captivate across a wide swath of demographic variables. Tyler Perry movies are watched predominantly in African American neighborhoods. None of these statistics are surprising, but seeing them on a map helps us learn about how sharply Hollywood targets their audiences.

Observations: Beautifully done. Easy to use. Information is focused enough to not overwhelm. Check out this “making of” piece. Pretty interesting stuff.

Read more…

Deroy Peraza
Feb 03, 2010 | ,

Programming for Designers: Part 2

In Part 1 we discussed what exactly programming languages are, and what they do. So are we ready to write a program now? Well, not yet. There are a couple more things about programming languages in general that I think you should know before we get into coding itself. I know I said that I would show you some actual code this time around, but this entry turned out longer than anticipated, and as I’d rather not bore you with excessively long posts the code will have to wait until next time. Because I just know you’re itching to know what conditional statements are, right?

Read more…

Catherine Catanzaro